In just three years, only 108 pieces of "Baishi Xianrui" designed by Qiu Wenxing have been produced. Next year is the Year of the Dragon. There are also nearly 10 models of dragon-shaped bottles that he set out to work on in advance. In addition, there are swan, tiger, and other styling wine bottles. The usual bottle of wine in his hand illusions. “Ceramic industry can only have a way out of innovation, ceramics can do art appreciation, of course, can also be sold as a bottle!” Far view, nothing more than a shoulder picking tea girl, a good Dehua porcelain art; close look However, there is another mystery in the bamboo poles, full of bagged high mountain tea; then open the lid to listen carefully, actually accompanied by the "alpine blue, blue water" beautiful melody. A simple tea pot, "organ settings" so clever and fresh, it is not difficult to see Qiu Wenxing's good intentions for creativity.

Three years ago, when he came to Dehua accidentally, Dehua’s white porcelain was soft and tender, and she could not pull it out of the eyes of Qiu Wenxing. The cultural heritage of Dehua porcelain has since opened up a creative road for him.

It was decided to graft Dehua porcelain's sculpture techniques onto the design of wine bottles. Qiu Wenxing’s idea is that “modern markets need something that is artistic and life-like, and both ceramics and wine have deeper cultural heritage. The development space is naturally bigger."
These different styles of porcelain works, mostly from Qiu Wenxing's "reverse thinking." In regards to the main bottle design, he thought that it would not make much sense to repeat the old road. "It's not a bottle plus a lid that becomes a bottle, and a bottle can also be a collection of works of art." And, the design of creativity can make the enterprise go further.


When this year's Taiwan Marathon was held, Qiu Wenxing used his ideas to change the trophy, medals and other awards. The galloping horses and porcelains, and the fine wines that are filled with drinks, allude to the trophy idea of ​​“One Leads”. It attracts the eyeballs. The horses’ trophy is embellished with sweat patterns. It is a tribute to the celebration party hosted by the parties. The intention of the awards is clear; not only that, Qiu Wenxing also plans to inlay coins on horseback and use the “immediately rich” ideas to develop related markets...

A porcelain horse, made so many articles, certainly won the unanimous approval of Taiwan's event organizers, allowing him to compete in a number of competitive trophy manufacturing enterprises. Qiu Wenxing introduced that at a press conference held in Taiwan recently in the marathon contest, the trophies produced by Dehua porcelain were noticed and reported by many media. The effect of using activities to enhance product influence was obvious. At present, the three most famous supermarket chains in Taiwan have taken the initiative to place orders. “There are about 20,000 supermarkets in the three major chain supermarkets. If there are two bottles in each store, there should be 20,000 bottles.” The creativeness made Qiu Wenxing confident in the future development.

Is there any entanglement between artistic works and industrial development? Qiu Wenxing believes that art pursues quality and the industry focuses on profits. He placed the arts in the first place, and profits came second, because "as the ceramics industry, only by taking advantage of creative ideas can we gain more profits."

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